The North Sea String Quartet is one of the most versatile string quartets of the Netherlands. Their blend of world music, combining their own compositions with improvisation, could be defined as folk-fusion. These are strings that will make you move.
The quartet consists of violinists Pablo Rodriguez and George Dumitriu, violist Yanna Pelser and cellist Thomas van Geelen. Apart from their classical background, they share a passion for folk music from South America, Europe and Africa, as well as jazz and improvisation. With the use of innovative playing techniques, they manage to translate these musical worlds to the string quartet, as heard on their EP “Feldwerk” (2018).
The quartet loves to join creative forces with other artists. They made a beautiful program of Brazilian music with singer Lílian Vieira, which has staged at Concertgebouw Amsterdam and Dutch television show Podium Witteman. Their collaboration with American singer and violist Roland Satterwhite, which took the group to venues in the Netherlands, Germany and Spain, resulted in their most recent EP, the Delta Blues inspired “Songs for Flying” (2019).
At the moment they are about to release their first album ‘Electric Amazigh’, which is a collaboration with guitarist Javier Infante (ES). The quintet has premiered his North-African, Canarian and Sephardic influenced compositions at Festival Canarias & Más Jazz Heineken 2020.
George Dumitriu is a Romanian born violist, violinist and guitarist, residing in Amsterdam. Graduate of the Bucharest National University of Music, he won more than 15 national and international prizes as a classical violinist. As a jazz guitarist he studied in Groningen (granted with the Huygens Scholarship), New York and Conservatory of Amsterdam, researching live electronics.
As a leader of DUMItRIO, he released the albums Proverbe (TryTone 2017) and Future Nostalgia (FN01 2014). The latest project of the group is the video series soFar soNear, featuring guest artists. The solo project Monk on Viola presents a new perspective on the music of Thelonious Monk.
He performs internationally with a variety of ensembles (Sanem Kalfa, Kaja Draksler Octet, Black Sea Songs, Alex Simu Quintet, Eve Risser, Blink String Quartet). Important collaborations: Ambrose Akinmusire, Theo Loevendie, Michel Godard, Ack van Rooyen, Michael Moore, Nationale Opera & Ballet Amsterdam, Brussels Jazz Orchetra.
Former guest teacher at Amsterdam Conservatory and Prins Claus Conservatory, he is currently part of the faculty of Utrecht Conservatory. He is a founding member of Romanian Jazz International.
Born in La Palma, Canary Islands, Pablo Rodríguez started to play the violin at the age of 6. Six years later, when one of his sisters gave him a Stephane Grappelli recording, he was enormously fascinated and quickly started to self-develop his own jazz language on the violin. This development turned out to be very useful in other music styles such as flamenco, folk and latin. Pablo has performed at several recordings, jazz venues and concert halls such as Heineken Jazz & más, Mercat de la música viva de Vic, Amsterdam Music Festival, Ateneo de Madrid, Auditorio Tenerife, Escola Tom Jobim (Brazil), De Doelen and the Alfredo Kraus Auditorium.
Besides his passion for jazz and improvisation, he studied classical violin in Madrid with violinist Alfredo García Serrano and in Codarts Rotterdam with András Czifra. At Codarts he also finished his master studies in Latin jazz with Christiaan van Hemert, Abel Marcel, Niti Ranjan Biswas and Anna Elis de Jong.
He has collaborated with a variety of artists such as Irene Álvarez (Cuadro Flamenco), DOT Quartet, Jose Manuel León, Gordan Nikolić, Jorge Pardo, Carles Benavent, Pedro Díaz, Ima Galguén (arranger & composer), Pedro Sanz, Kike Perdomo, NEI-L, Voodrish, Nacho Aldeguer, Tim Kliphuis, Juan Carlos Pérez Brito, Domingo “Colorao” and Inma Galiot.
When Yanna Pelser, born in Delft, heard a recording of Händel’s ‘Arrival of the Queen of Sheba’ at the age of 5, her eyes started to sparkle. From this moment her love for music became clear and her parents decided to let her take violin lessons. In several (youth) orchestras she discovered the most beautiful orchestral music in the major concert halls of Europe while growing into an experienced orchestra and chamber musician. Drawn by the depth and warmth of the viola sound, she swapped her violin for a viola at the age of 14.
During her classical viola studies at the conservatories of Rotterdam, Tilburg and Detmold she discovered that her voice blended very well with her viola sound. From there she started developing the skill of singing and playing simultaneously. Currently she is composing new music for her debut album, on which the singing violist will be the center of attention.
Jazz-, pop- and world music are just as important to Yanna as is classical music. She is actively performing with jazz sextet Ikarai, and has collaborated with pop artists such as Duncan Laurence, Karsu, Celine Cairo and Flip Noorman. Yanna is often asked for studio work: she has recorded for David Guetta, Celine Dion, Will.I.Am and many more.
Thomas van Geelen, born in Tilburg, started playing the cello aged ten with teacher Frank Spronk. In high school he got more and more drawn to other musical genres, progressive rock in particular. He taught himself to play the guitar and started playing in bands and with singer-songwriters. After studying Journalism, he decided to take his music making to a professional level.
He studied classical cello at the conservatory of Tilburg with Monique Heidema and Jan-Ype Nota and took masterclasses from Maria Kliegel, Gerhard Mantel, Johannes Moser, Roland Pidoux and Alisa Weilerstein among others. Eventually he chose to combine his classical studies with jazz, to give way to his non- classical background. Lessons followed with Tim Kliphuis, Mark Summer, Jörg Brinkmann, Oene van Geel and Eric van der Westen. Meanwhile he also took some arranging lessons with Jasper Staps. Thomas is currently studying at the Codarts conservatory in Rotterdam with Marius Beets and Jarmo Hoogendijk, to further develop his jazz playing. In 2016, Thomas was selected to give a carte blanche concert in the Hijgend Hert Jazz Club in Breda. For this special concert he invited Oene van Geel, Aron Raams and Jeroen Pek to play his own music.